Passé composé French Compound Past Tense

The  passà © composà © is the most common French past tense, often used in conjunction with the imperfect. It is extremely important to understand the  distinctions between past tenses  in order to use them correctly and thus express past events accurately. Before you can compare them, however, be sure that you understand each tense individually, as this will make it a lot easier to figure out how they work together. Generally speaking, the imperfect  describes past situations, while the passà © composà ©Ã‚  narrates specific events. The passà © composà © can express any of the examples below, which range from completed actions in the past to actions repeated multiple times in the past, and even a series of actions completed in the past. Completed Actions Some actions are started and completed in the past, as these examples show. As-tu à ©tudià © ce weekend ?:  Did you study this weekend?Ils ont dà ©jà   mangà ©:  they have already eaten Previous Repetitive Actions At other times, an action might be repeated multiple times in the past. Oui, jai mangà © cinq fois hier:  Yes, I did eat five times yesterdayNous avons visità © Paris plusieurs fois:  weve visited Paris several times Completed Series of Actions You can also express a series of actions fully completed in the past with the  passà © composà ©. Quand je ​suis arrivà ©, jai vu les fleurs:  When I arrived, I saw the flowersSamedi, il a vu sa mà ¨re, a parlà © au mà ©decin et a trouvà © un chat:  Saturday, he saw his mother, talked to the doctor, and found a cat Tips for Using Passà © Composà © The passà © composà © has three possible English equivalents. For example, jai dansà © can mean: I danced (simple past)I have danced (present perfect)I did dance  (past emphatic) The passà © composà ©Ã‚  is a  compound conjugation, which means it has two parts: present tense  of the  auxiliary verb  (either  avoir  or  Ãƒ ªtre)past participle  of the main verb Like all compound conjugations, the  passà © composà ©Ã‚  may be subject to  grammatical  agreement: When the auxiliary verb is  Ãƒ ªtre, the  past participle  must agree with the subjectWhen the auxiliary verb is  avoir, the past participle may have to agree with its  direct object. French Passà © Composà © Conjugations As noted, in French,  the passà © composà ©Ã‚  is made up of two parts. As the tables shows, the first part is the present tense of the verb avoir or à ªtre. The second part is called the  participe passà ©Ã‚  (past participle).  Ã¢â‚¬â€¹ Students of French should try  to  avoid the error of mixing up verbs which take avoir and à ªtre as an auxiliary verb in the past tense because it can lead to some awkward moments in a conversation. Learning the conjugations in the table should be helpful in that regard. Aimer  (avoir verb) j' ai aimà © nous avons aimà © tu as aimà © vous avez aimà © ilelle a aimà © ilselles ont aimà © Devenir  (à ªtre verb) je suis devenu(e) nous sommes devenu(e)s tu es devenu(e) vous à ªtes devenu(e)(s) il est devenu ils sont devenus elle est devenue elles sont devenues Se Laver  (pronominal verb) je me suis lavà ©(e) nous nous sommes lavà ©(e)s tu t'es lavà ©(e) vous vous à ªtes lavà ©(e)(s) il s'est lavà © ils se sont lavà ©s elle s'est lavà ©e elles se sont lavà ©es

Satan The True Hero of Paradise Lost by Milton Essay

Satan: The True Hero of Paradise Lost by Milton The identity of the true protagonist in Paradise Lost is a mystery. One would gather that Milton, a Puritan, would have no problem casting God as the hero, and Satan as the antagonist. However, looking back in history, Milton saw that most epic heroes had conflicts that prevented them from accomplishing their goals. God and his Son have no conflict, and Adam’s story does not really begin until the Fall of Man. Therefore, Milton was forced to select Satan as the hero of Paradise Lost because he adheres to the guidelines of epic poetry set by Homer, Virgil and others. There are many examples of how Milton uses and edits the tradition of these previous epics in the formation of the Devil as†¦show more content†¦(106-109,116-124) Beelzebub, perhaps showing signs of little faith in his leader (like Odysseus’ crew), raises some important questions. What if he our Conqueror, (whom I now of force believe Almighty, since no less than such could have o’erpowâ€⠄¢r’d such force as ours) have Garcia 3 left us this our spirit and strength entire strongly to suffer and support our pains, that we may so suffice his vengeful ire, or do him mightier service as his thralls by right of War, whate’er his business be, here in the heart of Hell to work in Fire, Or to do his errands in the gloomy Deep; What can it then avail though yet we feel Strength undiminisht, or eternal being to undergo eternal punishment?(143-155) Satan, as any good leader would, quickly allays his companion’s fear with more speech. During the speech, Satan casts doubts about God’s supremacy and boldly states that they are better off where they are, Here at least we shall be free†¦ Here we may reign secure†¦Better to reign in Hell, than serve in Heaven. (258-263) Beelzebub is taken aback by Satan’s words and awakens all of the fallen angels. Once Satan has their attention, he rouses these fallen angels with another speech, asking How such united force of Gods, how such stood like these, could ever know repulse? For who can yet believe, though after loss, that all these puissant Legions, whose exile hath emptied Heav’n, shall fail to re-ascendShow MoreRelatedSatan Is Evil Or Evil?1330 Words   |  6 PagesWhen hearing the word â€Å"Satan†, people often think of a red man with horns, a pitchfork, and a tail; he is often visualized in the pits of the underworld surrounded by flames. Why does society picture him this way? Some may say â€Å"Because he is evil† or â€Å"Because he fell from heaven†, but people mostly believe this because this is what they were taught. Satan is a figure appearing in many texts of religion as someone who brings evil and temptation. He is known as the deceiver who leads humanity astrayRead MoreSatan As A Hero And A Villain916 Words   |  4 PagesSatan as a Hero and a Villain (Analysis of Satan in John Milton’s Paradise Lost) John Milton created Paradise Lost out of twelve books of well constructed poetry. A poem depicting and going into detail of the story of Adam and Eve, man’s creation and fall. The poem focuses on the actions of one particular character, Satan. Milton introduces his readers to Satan in Book I as a hero, trying to get revenge against God for throwing him out of Heaven, being banished to Hell. But as Satan carries on withRead MoreAnalysis Of John Milton s Paradise Lost 1499 Words   |  6 PagesInner light in Satan Epic heroism is a category that can pertain to many different subjects considering on what they have done or been through. No matter good, bad, or evil some of these subjects can find a way to make themselves that epic hero that best fits them. An epic hero goes by the definition of, a brave and noble character in an epic poem, admired for great achievements or affected by grand events. This being said can make any possible being, an epic hero if that being has done what isRead MoreHeroic in Paradise Lost by John Lost Essay1637 Words   |  7 PagesThe theme of the heroic in John Miltons Paradise Lost is one that has often been the focus of critical debate, namely in the debate surrounding which character is the true hero of the poem. Most critics of the subject have, however, noted that the difficultly in defining the hero of Miltons work is mainly due to our â€Å"vague understanding of what constitutes heroism†1 and the fact that â€Å"the term itself is equivocal† 2. The vague terming of what heroism can be defined as it what draws criticsRead MoreJohn Milton s Paradise Lost985 Words   |  4 PagesJohn Milton’s Paradise Lost is a paradox of morality and character definitions. After reading multiple articles, the largest concerning topic was the hero status of an inherently evil character. The issue lies within defining what a hero is and is not in terms of epic poetry. John Milton’s refusal to clarify a hero shows this paradox he has created is a something that he meant to achieve. According to Mary Nyquist in The Father s Word/Satan s Wrath, â€Å"The text seems here not just to invite, butRead MoreAnalysis Of John Milton s Paradise Lost1442 Words   |  6 Pagesin John Milton’s Paradise Lost There are many definitions of a hero, and establishing the hero in John Milton’s Paradise Lost has been object to scholarly debate. One definition of a hero is that by Aristotle, who defined a hero as a person who is divine and superhuman. However, other definitions encompass the aspect of virtue in heroism. Despite all the definitions for a hero, it remains factual that a hero would be someone that the readers would delight in relating to. A hero is an object of admirationRead MoreEssay about John Miltons Paradise Lost as Christian Epic1147 Words   |  5 PagesParadise Lost as Christian Epic John Miltons great epic poem, Paradise Lost, was written between the 1640s and 1665 in England, at a time of rapid change in the western world. Milton, a Puritan, clung to traditional Christian beliefs throughout his epic, but he also combined signs of the changing modern era with ancient epic style to craft a masterpiece. He chose as the subject of his great work the fall of man, from Genesis, which was a very popular story to discuss and retell at the timeRead MoreWho Can Blame The Poor Little Demon?1596 Words   |  7 Pagesmakes Satan an interesting character, almost a hero, although unwilling to repent, simply seeking his rightful place and when he cannot, and will not, he goes after God’s prized creations. Who can blame the poor little demon? Aren’t we accustomed to routing for the underdog? Milton gives Satan the gift of gab, intelligence and our viewpoint, which makes us see his point of view. Of all the poets who have introduced into their works the agency of supernatural beings, says McColley, Milton has succeededRead MorePortrayal Of Satan As A Hero1111 Words   |  5 Pages2322.W31C 6 December, 2015 Milton?s Portrayal of Satan as a Hero In the poem of ?Paradise Lost?, critics disagree with Milton for portraying Satan as a hero, while many oppose it; others view it as Milton?s style. Even-though within the poem Milton carries the same moral concepts and ambiguity of Satan?s heroism which has been a topic of discussion for more than three centuries (Murphy). Aristotle?s idea of hamartia to a reading of ?Paradise Lost? is rational of that of Satan, because he is perceivedRead MoreThe Paradox Of The Hero1484 Words   |  6 Pagesof the Hero in Paradise Lost What exactly is a hero? A common pedestrian might say a hero is someone who goes out of their way to help people. A child may say that a hero is someone who performs valiant deeds. Merriam-Webster Dictionary itself has 3 definitions of a hero: â€Å"a person who is admired for great or brave deeds or acts,† â€Å"a person who is greatly admired† and â€Å"the chief male [or female] in a story, play, movie etc.† (Merriam Webster Dictionary). In a literary situation, a hero is defined

Doctor Patient Confidentiality free essay sample

The concept of â€Å"doctor-patient confidentiality† derives from English common law and is codified in many states’ statutes. It is based on ethics, not law, and goes at least as far back as the Roman Hippocratic Oath taken by physicians. It is different from â€Å"doctor-patient privilege,† which is a legal concept. Both, however, are called upon in legal matters to establish the extent by which ethical duties of confidentiality apply to legal privilege. Legal privilege involves the right to withhold evidence from discovery and/or the right to refrain from disclosing or divulging information gained within the context of a â€Å"special relationship. † Special relationships include those between doctors and patients, attorneys and clients, priests and confessors or confiders, guardians and their wards, etc. The Oath of Hippocrates, traditionally sworn to by newly licensed physicians, includes the promise that â€Å"Whatever, in connection with my professional service, or not in connection with it, I see or hear, in the life of men, which ought not to be spoken of abroad, I will not divulge, as reckoning that all such should be kept secret. We will write a custom essay sample on Doctor Patient Confidentiality or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page † The laws of Hippocrates further provide, â€Å"Those things which are sacred, are to be imparted only to sacred persons; and it is not lawful to impart them to the profane until they have been initiated into the mysteries of the science. Doctor-patient confidentiality stems from the special relationship created when a prospective patient seeks the advice, care, and/or treatment of a physician. It is based upon the general principle that individuals seeking medical help or advice should not be hindered or inhibited by fear that their medical concerns or conditions will be disclosed to others. Patients entrust personal knowledge of themselves to their physicians, which creates an uneven relationship in that the vulnerability is one-sided. There is generally an expectation that physicians will hold that special knowledge in confidence and use it exclusively for the benefit of the patient. The professional duty of confidentiality covers not only what patients may reveal to doctors, but also what doctors may independently conclude or form an opinion about, based on their examination or assessment of patients. Confidentiality covers all medical records (including x-rays, lab-reports, etc. as well as communications between patient and doctor, and it generally includes communications be-tween the patient and other professional staff working with the doctor. The duty of confidentiality continues even after patients stop seeing or being treated by their doctors. Once doctors are under a duty of confidentiality, they cannot divulge any medical information about their patients to third persons without patient consent. There are, however, exceptions to this rule.

Rafael Lopez Perez Essays - Waste Management, Industrial Ecology

Rafael Lopez Perez TOXIC WASTE Pollution Prevention GENERAL CONSIDERATIONS DEFINITIONS Pollution prevention consists of all those activities that reduce the generation of hazardous waste. Many terms are used to describe these activities: waste minimization, waste reduction, source reduction, waste diversion, pollution prevention, recycling, and reuse. In a recent policy statements EPA suggested the following hierarchy for management of wastes: * Source reduction * Recycling * Treatment * Disposal In plant practices that reduce, avoid or eliminate the generation of hazardous waste as to reduce risks to health and the environment. Actions taken away from the waste generating activity, including waste recycling or treatment of wastes after they are generated, are not considered waste reduction. Also, an action that merely concentrates t hazardous content of a waste to reduce waste volume or dilutes it to reduce degree hazard, is not considered waste reductions The somewhat broader term pollution prevention has an evolving definition that includes: * Managing chemicals to reduce risk * Identifying and estimating all releases * Waste minimization VOLUME REDUCTION An appropriate place to initiate waste minimization investigations is to examine way: to reduce the volume of hazardous waste. This can be accomplished by a number methods including modifying production processes, segregation, and re-use. It should be noted that under some regulatory schemes, simply reducing the volume of the waste without an accompanying reduction in toxicity would not be considered was minimization. Process Modifications Process modifications include changes in: ? Raw materials ? Equipment & Operating procedures ? Materials storage ? End products Hunt suggests the following additional measures to reduce dragout: ? Increase drain time ? Air knife (low pressure air to blow solution off parts) ? Spray rinsing over process tank ? Minimize concentration of metal in plating bath ? Rack parts to maximize drainage ? Use drip bars to hold racked parts over plating tanks TOXICITY REDUCTION A number of waste minimization techniques reduce the concentration of contaminant in a liquid or solid waste stream, without necessarily diminishing the volume of wastes produced. It is often possible to lessen the toxic characteristics sufficiently so that the remaining waste is no longer considered a hazardous waste. Process Modification: Some specific examples of modifications that result in a less toxic waste stream include dry powder painting and solvent recovery methods. Treatment and Disposal Methods Stabilization and Solidification INTRODUCTION In general terms, stabilization is a process where additives are mixed with waste to minimize the rate of contaminant migration from the waste and to reduce the toxicity of the waste. Thus, stabilization may be described as a process by which contaminant are fully or partially bound by the addition of supporting media, binders, or other modifiers. Likewise, solidification is a process employing additives by which the physical nature of the waste (as measured by the engineering properties of strength, compressibility, and/or permeability) is altered during the process. Thus, objectives of stabilization and solidification would encompass both the reduction in waste toxicity and mobility as well as an improvement in the engineering properties of the stabilized mates al. Thermal Methods INTRODUCTION Incineration systems are designed to destroy only organic components of waste; however most hazardous waste is non-exclusive in its content and therefore will contain both combustible organics and non-combustible inorganics. By destroying the organ Erection and converting it to carbon dioxide and water vapor, incineration reduces the waste volume, and to the extent that the organic components include toxic component [emailprotected] threat to the environment. Hazardous wastes come in all physical forms: liquid, solid, and somewhere between. Commercial hazardous waste incineration systems have to handle the gamut of waste streams. Nevertheless, many hazardous waste incinerators a concerned only with liquid wastes. While gaseous waste streams are not regulated as hazardous waste, the combustion of such wastes is certainly a part of the overall incineration process. The theory and equipment design for each type of waste is similar but different, and their combination into a single system is often required. REMEDY SELECTION The parties having a stake in the selection of a remedy come from diverse interests representing the local community, industry, environmentalists, the scientific and engineering professions, and government. Their concerns differ as do their values. They inevitably will disagree about what is the best remedy and even as to what level of protection is needed. REMEDIAL ALTERNATIVES ANALYSIS 1. Site conditions can be very complicated. 2. Remediation is not straightforward but takes place usually over a long period of time and involves a number